more than 95 theses

oddments

A journal, commonplace book, and Wunderkammer by Alan Jacobs.

My blog on technologies of reading, writing, and knowledge is called Text Patterns; I am an occasional contributor to the Technology channel of The Atlantic; I'm a Contributing Editor for The New Atlantis. Also, I tweet.

My biography of the Book of Common Prayer has now been published by Princeton University Press, and I’ve created an associated tumblelog.

My critical edition of W. H. Auden’s long poem For the Time Being: A Christmas Oratorio is now available.

My next book will be about Christian humanism in a time of total war.

I invite you to a meditative encounter with my online project The Gospel of the Trees.

Please consider supporting this tumblelog by buying some of my books. I will thank you, my family will thank you, and the internet — surely — will thank you.

”Reverting to Type: a Reader’s Story”

The Pleasures of Reading in an Age of Distraction

The Age of Anxiety, by W. H. Auden — a critical edition. A PDF of my Introduction to the poem is available online.

Wayfaring: Essays Pleasant and Unpleasant

Original Sin: a Cultural History

Looking Before and After: Testimony and the Christian Life

The Narnian: the Life and Imagination of C. S. Lewis

Shaming the Devil: Essays in Truthtelling

A Theology of Reading: the Hermeneutics of Love

A Visit to Vanity Fair: Moral Essays on the Present Age

What Became of Wystan: Change and Continuity in Auden’s Poetry

  • April 4, 2012 7:53 am

    "Nowadays, we love monsters; and Fantasy as a mode loves monsters to the exclusion of almost everything else. Writers have made whole careers finding ways of delivering weirder and gnarlier monsters to their readership; and producers evidently believe that the way to make Wrath of the Titans (in cinemas soon!) even better than its big-budget predecessor Clash of the Titans is to make the monsters bigger, toothier and more photo-realistic. The problem is: it’s not true. Our response to such SFX is one of disinterested curiosity, not primal terror. But the alternative aesthetic approach—that monsters are only scary if they are embedded in an eloquently realised society, culture and language, is anathema to a lot of fantasy, which prefers to sketch its world and populate it characters who are essentially modern folk in medieval fancy dress."

    Arcfinity - Adam Roberts: The Critic Revisits the Monsters. A superbly insightful essay.

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