more than 95 theses

oddments

A journal, commonplace book, and Wunderkammer by
Alan Jacobs.

My blog on technologies of reading, writing, and knowledge is called Text Patterns; I am an occasional contributor to the Technology channel of The Atlantic; I'm a Contributing Editor for The New Atlantis. Also, I tweet.

My biography of the Book of Common Prayer has now been published by Princeton University Press, and I’ve created an associated tumblelog.

My critical edition of W. H. Auden’s long poem For the Time Being: A Christmas Oratorio is now available.

My next book will be about Christian humanism in a time of total war.

I invite you to a meditative encounter with my online project The Gospel of the Trees.

Please consider supporting this tumblelog by buying some of my books. I will thank you, my family will thank you, and the internet — surely — will thank you.

”Reverting to Type: a Reader’s Story”

The Pleasures of Reading in an Age of Distraction

The Age of Anxiety, by W. H. Auden — a critical edition. A PDF of my Introduction to the poem is available online.

Wayfaring: Essays Pleasant and Unpleasant

Original Sin: a Cultural History

Looking Before and After: Testimony and the Christian Life

The Narnian: the Life and Imagination of C. S. Lewis

Shaming the Devil: Essays in Truthtelling

A Theology of Reading: the Hermeneutics of Love

A Visit to Vanity Fair: Moral Essays on the Present Age

What Became of Wystan: Change and Continuity in Auden’s Poetry

  • October 15, 2014 12:19 pm
  • October 15, 2014 11:57 am

    disciplinedd:

    Periodic Table

  • October 14, 2014 10:54 am
    houghtonlib:

Borelli, Giovanni Alfonso, 1608-1679. De motu animalium, 1685.
*IC6 B6447 680db
Houghton Library, Harvard University View high resolution

    houghtonlib:

    Borelli, Giovanni Alfonso, 1608-1679. De motu animalium, 1685.

    *IC6 B6447 680db

    Houghton Library, Harvard University

  • October 14, 2014 10:52 am

    "A scholar’s business is to add to what is known. That is all. But it is capable of giving the very greatest satisfaction, because knowledge is good. It does not have to look good or even sound good or even do good. It is good just by being knowledge. And the only thing that makes it knowledge is that it is true. You can’t have too much of it and there is no little too little to be worth having."

    — A. E. Housman, in Tom Stoppard’s The Invention of Love (reposted from a couple of years ago because I like to remind myself of it)

  • October 14, 2014 10:33 am
  • October 13, 2014 9:00 pm

    "The discipline of colleges and universities is in general contrived, not for the benefit of the students, but for the interest, or, more properly speaking, for the ease of the masters. Its object is, in all cases, to maintain the authority of the master, and, whether he neglects or performs his duty, to oblige the students in all cases to behave to him as if he performed it with the greatest diligence and ability. It seems to presume perfect wisdom and virtue in the one order, and the greatest weakness and folly in the other."

    — Adam Smith, The Wealth of Nations

  • October 11, 2014 1:10 pm

    "

    If this particular book is not giving me pleasure now, it may give me pleasure later, if I allow it to do so. Maybe it’s just starting slowly but will pick up speed; maybe I haven’t fully grasped the idiom it’s working in but eventually will figure it out; maybe the problem is not with the book but with my own powers of concentration because I slept fitfully last night….

    Many maybes. But in any case, I have to decide whether to persevere, and for a long time my default position was to continue. Indeed, I was twenty years old before I failed to finish a book I had started: it was The Recognitions, a novel by William Gaddis, and I gave up, after an extended period of moral paralysis, at page 666. That day I grieved, feeling that I had been forced from some noble pedestal; but I woke up the next morning with my soul singing. After all, though I would never get back the hours I had devoted to those 666 pages, the hours I would have spent ploughing through the remaining four hundred were mine to spend as I would. I had been granted time as a pure and sweet gift.

    Of course, once you have abandoned a book after more than six hundred pages, abandoning one after fifty seems trivial. But for me that wasn’t a bad thing. I needed to overcome the sense of duty that had marched me through so many books before the ultimately liberating, if at the time miserable, experience of The Recognitions; and I needed to learn, as I eventually did, that if I set a book aside today I am not thereby forbidding myself to return to it later — nor am I promising to do so.

    "

    — That’s me, from The Pleasures of Reading in an Age of Distraction. Nick Hornby has been saying that it’s okay to leave books unfinished, and others have agreed with him, so I just want to claim prior art here.

  • October 11, 2014 9:10 am
    rindertjagersma:


Onderwijsinge in de perspective const | Hondius. The Hague, 1622.

    rindertjagersma:

    Onderwijsinge in de perspective const | Hondius. The Hague, 1622.

  • October 11, 2014 8:13 am

    "That music you hear in the distance? It’s St Augustine, St Teresa, Teilhard de Chardin, Pascal, Kierkegaard and Simone Weil all singing together, and what they are singing is that, as Christ commanded, we are supposed to love God with our minds, as well as with our hearts and our souls and our strength. It is an illusion to think that there is any necessary conflict between a Christian commitment and free, adventurous thinking. No-one ever does their thinking on a blank sheet of paper. Every intellectual of every kind is in a conversation with some set of ideas, doctrines, ways of seeing the world, and that’s what makes their own thinking serious. The Christian conversation with Christian ideas, and with every other kind of idea, need not be defensive or imprisoning. Why is there a stereotype that says you have to choose between faith and thought?"

    Francis Spufford

  • October 10, 2014 8:20 am
    Mulberry Street, New York City, ca. 1900 — via this story View high resolution

    Mulberry Street, New York City, ca. 1900 — via this story

  • October 9, 2014 11:28 am

    "

    Is there something here we fear to face, except when clothed in safely sterilized professional speech? Have we grown reluctant in this age of power to admit mystery and beauty into our thoughts, or to learn where power ceases?

    I referred a few moments ago to one of our own forebears on a gravel bar, thumbing a pebble. If, after the ages of building and destroying, if after the measuring of light years, and the powers probed at the atom’s heart, if after the last iron is rust-eaten and the last glass lies shattered in the streets, a man, some savage, some remnant of what once we were, pauses on his way to the tribal drinking place and feels rising from within his soul the inexplicable mist of terror and beauty that is evoked from old ruins — even the ruins of the greatest city in the world — then, I say, all will still be well with man.

    And if that savage can pluck a stone from the gravel because it shone like crystal when the water rushed over it, and hold it against the sunset, he will be as we were in the beginning, whole — as we were when we were children, before we began to split the knowledge from the dream. All talk of the two cultures is an illusion; it is the pebble that tells man’s story. Upon it is written man’s two faces, the artistic and the practical. They are expressed upon one stone over which a hand once closed, no less firm because the mind behind it was submerged in light and shadow and deep wonder.

    Today we hold a stone, the heavy stone of power. We must perceive beyond it, however, by the aid of the artistic imagination, those humane insights and understandings that alone can lighten our burden and enable us to shape ourselves, rather than the stone, into the forms that great art has anticipated.

    "

    — Loren Eiseley, “The Illusion of the Two Cultures” (1964)

  • October 9, 2014 11:14 am

    "In the history which I require and design, special care is to be taken that it be of wide range and made to the measure of the universe. For the world is not to be narrowed till it will go into the understanding (which has been done hitherto), but the understanding to be expanded and opened till it can take in the image of the world as it is in fact. For that fashion of taking few things into account, and pronouncing with reference to a few things, has been the ruin of everything."

    Francis Bacon

  • October 9, 2014 9:53 am

    "Strange that as modern philosophy transfers the visible wealth of nature more and more to the mind, the mind should seem to lose courage and to become ashamed of its own fertility. The hard-pressed natural man will not indulge his imagination unless it poses for truth; and being half aware of this imposition, he is more troubled at the thought of being deceived than at the fact of being mechanised or being bored: and he would wish to escape imagination altogether. A good God, he murmurs, could not have made us poets against our will."

    George Santayana

  • October 9, 2014 7:51 am

    Greg Egan's amazing web site

    It seems pretty clear that when the Australian SF writer Greg Egan designed his home page in 1997, he achieved the Platonic ideal of home page design, and hasn’t changed it since.

  • October 8, 2014 9:09 pm

    "

    This man who speaks to you was born 55 years ago in Vienna. One month after his birth he was put on a train, and then on a ship and brought to the Island of Brac. Here, in a village on the Dalmatian coast, his grandfather wanted to bless him. My grandfather lived in the house in which his family had lived since the time when Muromachi ruled in Kyoto. Since then on the Dalmatian Coast many rulers had come and gone - the doges of Venice, the sultans of Istanbul, the corsairs of Almissa, the emperors of Austria, and the kings of Yugoslavia. But these many changes in the uniform and language of the governors had changed little in daily life during these 500 years. The very same olive-wood rafters still supported the roof of my grandfather’s house. Water was still gathered from the same stone slabs on the roof. The wine was pressed in the same vats, the fish caught from the same kind of boat, and the oil came from trees planted when Edo was in its youth.

    My grandfather had received news twice a month. The news now arrived by steamer in three days; and formerly, by sloop, it had taken five days to arrive. When I was born, for the people who lived off the main routes, history still flowed slowly, imperceptibly. Most of the environment was still in the commons. People lived in houses they had built; moved on streets that had been trampled by the feet of their animals; were autonomous in the procurement and disposal of their water; could depend on their own voices when they wanted to speak up. All this changed with my arrival in Brac.

    On the same boat on which I arrived in 1926, the first loudspeaker was landed on the island. Few people there had ever heard of such a thing. Up to that day, all men and women had spoken with more or less equally powerful voices. Henceforth this would change. Henceforth the access to the microphone would determine whose voice shall be magnified. Silence now ceased to be in the commons; it became a resource for which loudspeakers compete. Language itself was transformed thereby from a local commons into a national resource for communication. As enclosure by the lords increased national productivity by denying the individual peasant to keep a few sheep, so the encroachment of the loudspeaker has destroyed that silence which so far had given each man and woman his or her proper and equal voice. Unless you have access to a loudspeaker, you now are silenced.

    I hope that the parallel now becomes clear. Just as the commons of space are vulnerable, and can be destroyed by the motorization of traffic, so the commons of speech are vulnerable, and can easily be destroyed by the encroachment of modem means of communication.

    "

    Ivan Illich: Silence is a Commons, a talk given in Japan in 1982. This is something I will reflect on and, later, write about.